Thomas Sutpen
The novel's central figure, though he's always seen through others' eyes. He arrives in Mississippi with a plan to build a dynasty and pursues it with total ruthlessness. His willingness to discard anyone who threatens the plan — his first wife, Milly Jones, eventually his own son — is what destroys him.
Quentin Compson
The main narrator, a young Mississippian who reconstructs Sutpen's story first for Rosa and then for Shreve. He's obsessed with the South's past in a way that feels compulsive rather than chosen. His final denial that he hates the South is one of the novel's most important moments.
Rosa Coldfield
Ellen Sutpen's sister, who was briefly engaged to Sutpen before he insulted her. She summons Quentin to tell him the story and carries forty years of rage and fascination. Her version of events is vivid but emotionally distorted.
Henry Sutpen
Sutpen's legitimate son, who idolizes Charles Bon and then kills him. He spends decades hiding after the war and dies in the fire Clytie sets. His choice to shoot Bon rather than allow the marriage is the novel's central act.
Charles Bon
Sutpen's abandoned son from Haiti, who appears at the University of Mississippi and befriends Henry. He seems to want acknowledgment from Sutpen more than he wants Judith. His mixed-race ancestry is the secret Sutpen refuses to speak aloud.
Judith Sutpen
Sutpen's daughter, who loves Bon and waits for him through the war. After his death she keeps his letter and raises his son. She survives longer than most but dies of yellow fever. She's one of the few characters in the novel who acts with something like decency.
Clytie (Clytemnestra Sutpen)
Sutpen's mixed-race daughter by an enslaved woman. She runs the household after the war and protects Henry until the end. She burns the house rather than let Henry be taken. Her name, borrowed from Greek tragedy, signals her role as someone trapped by forces she didn't choose.
Shreve McCannon
Quentin's Canadian roommate at Harvard. He pushes Quentin to keep telling the story and contributes his own imaginative reconstructions. His outsider perspective lets him ask questions Quentin can't ask himself.
Wash Jones
A poor white man who admires Sutpen and allows him to use his land. When Sutpen dismisses Milly after she gives birth to a girl, Wash kills him. He's the instrument of Sutpen's death, and his admiration turning to violence shows what Sutpen's contempt for people actually costs.