The Stage Manager
He narrates the entire play, stops and starts time, plays minor roles, and talks directly to the audience. He knows how everything ends before it begins. His control over the story makes him the play's real center of gravity.
Use this page when you know the book but need the right person, force, or relationship to carry the argument.
Come here when you need to sort out who matters, what they want, and where they actually help your argument in Our Town.
Contents
He narrates the entire play, stops and starts time, plays minor roles, and talks directly to the audience. He knows how everything ends before it begins. His control over the story makes him the play's real center of gravity.
She grows from a bright, eager teenager into a young wife and mother. Her death in Act Three and her subsequent return to her twelfth birthday make her the emotional heart of the play. She's the one who finally asks the question the whole play has been building toward.
Emily's neighbor and eventual husband. He's a good-natured, slightly oblivious teenager who grows into a responsible adult. His pre-wedding panic humanizes him. He represents the ordinary person who lives a decent life without ever quite seeing it clearly.
Emily's mother. She's warm and capable, but during Emily's birthday revisit, she's too busy to really look at her daughter. That moment, seen through Emily's dead eyes, is one of the play's sharpest images of how the living miss what's right in front of them.
George's mother. She dreams of using an inheritance to travel to Paris but never does. She dies before she gets the chance. In Act Three she sits calmly among the dead, having accepted what she couldn't change. Her arc shows the gap between what people want and what they actually do with their time.
George's father and the town doctor. He's steady, kind, and absorbed in his work and his hobby of studying Civil War battles. He represents the decent, distracted adult who fills his days with purpose but doesn't stop to examine them.
Emily's father and the town newspaper editor. He's thoughtful and a little awkward, especially in the wedding scene where he tries to give George advice about marriage. He loves his family but, like everyone else in the play, moves through life without fully noticing it.
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